Archive and Search
Login

 

 

Entries by Allyson B. Crawford (6821)

Friday
Dec122008

I'm On to You

I really don't like Hair Nation on Sirius but I still listen, eagerly awaiting the return of the Boneyard. Yesterday, Hurricane popped up - finally, a different band! The song? "I'm On to You." I instantly turned up the volume and started tapping my finger on the steering wheel. I have something like 8,000 songs on my iPod (with oodles of space to spare), but I always get caught in the "repeat" trap.


What is the repeat trap? It's when I listen to the same four albums over and over again.


So, hearing Hurricane helped me break out of the "same old, same old." It doesn't hurt the band featured some amazing musicians over the years including Robert Sarzo, Tony Cavazo and Doug Aldrich.


Here's the video for "I'm On to You." What do you think of Hurricane?


Thursday
Dec112008

Seven Days Live - The CD

For many, Poison will always be Bret Michaels, C.C. DeVille, Rikki Rockett and Bobby Dall. There was a time, however, when the band went through some public turmoil and C.C. left the band. He was replaced by virtuoso guitarist Richie Kotzen. A strong songwriter, many felt Kotzen was a positive add to the line-up, even if he didn’t exactly fit the Glam mold.

Armoury Records has released Seven Days Live, a rare live recording of the Kotzen era. The show was recorded in London in 1993 during the Native Tongue tour.

Here’s the track listing:

01. Ride The Wind
02. Something To Believe In
03. Stand
04. Fallen Angel
05. Look What The Cat Dragged In
06. Until You Suffer Some (Fire & Ice)
07. Unskinny Bop
08. Talk Dirty To Me
09. Every Rose Has Its Thorn
10. Nothin' But A Good Time

 

Poison are kings of repackaging the same music over and over. The draw here isn’t the same old songs, rather, it’s Kotzen’s unique ability with a guitar. A lot of times he tries to overplay songs written by DeVille. A big example of this is during “Fallen Angel.” The tempo is a bit too fast, Michaels kind of forgets the words and the song sounds a little muddy because of this.

Poison’s signature song will always be “Look What the Cat Dragged In.” The song sums up the entire Glam era in under three minutes. Here, Kotzen’s guitar work is less frenetic and more true to the original. Thus, he sounds like Poison.

For a live album, there is hardly any crowd noise. You can hear a few screams over the pointless drum solo and during the introduction of “Unskinny Bop” but that’s about it.

Lead singer Bret Michaels swears far more often on this recording than during recent live performances. Perhaps he was trying to be a “bad ass” for the album. Maybe he just grew up. At any rate, his stage banter is basically worthless and the cursing doesn’t add much. Poison is a party band. Not necessarily a group of men you want to take home to mom and dad – but still shouldn’t be ashamed to spin at your best friend’s birthday bash.

Is Seven Days Live good or bad? That depends who you ask. If you’re a die hard Glam fan, you’ll want this record. If you love Poison, you need the disc to complete your collection. If you’re a casual fan of the genre, you probably already own the songs, so buying again would be pointless. Instead, put that CD money toward postage and start a letter writing campaign, begging Poison to write some new material already. Seriously, we all love “Nothin’ But a Good Time” – but how many times do we have to hear it over and over again?!


 

 

Wednesday
Dec102008

Is Joan Jett Glam?

Joan Jett was a member of the Runaways in the 1970s. She created a successful solo career in the 80s and enjoyed a string of hit songs with her band the Blackhearts.

But is she Glam?

Let's investigate. The Runaways were not a Glam act - but the six degrees of separation rule pits her close Lita Ford, and she is certainly Glam. Plus, there's no denying the time period that Jett recorded the breakout  "I Love Rock n' Roll." After all, the early 80s was the hotbed of Glam.

Joan set up shop in Los Angeles. Glam.

Joan surrounded herself with men, marking the antithesis of the Runaways. Glam.

Joan played a part in the Broadway production of Rocky Horror Show. Glam.

Joan wore a ton of eye liner in all her classic videos. Glam.

Joan made a bad ass cover of AC/DC's "Dirty Deeds." Ballsy.

I think that's probably where the Glam references start and stop.  Joan has a big fan base and  she seems to bring a lot of energy to her shows. I've never seen her perform, but I'm sure it's a good time. Quite a lot of what Joan is about is punk - perhaps that comes from being a woman in a male-dominated business? It could also just be her style.

So, what do you think? Is Joan Jett Glam, Punk or just rock n' roll?

Here's the video for "Dirty Deeds." If you've never heard this cover, you must give it a chance!


Tuesday
Dec092008

Umm...

There are no words. Just listen.


Tuff - "Dear Jani Lane"


Tuesday
Dec092008

Who's The One?

Last night I was driving home from work and Winger's "Who's the One" came on Sirius Hair Nation.


I'd completely forgotten about this wonderful track. In fact, it's possibly Winger's best song (except for "Down Incognito!") I love Kip Winger's voice on "Who's the One." It has a rich tone - and really matches the guitar solos note for note. Plus, the video has a lot of hot shots of the band when they still had really long hair.


If you don't recall, both "Who's the One" and "Down Incognito" are featured on Pull - a wonderful Glam album that got totally lost in the grunge shuffle. I think the album is so great, in fact, I'd put it in the top 10 of all albums released by Glam bands.


Watch the video below...and relive the beauty that is Winger.


Monday
Dec082008

DJ Ashba: The Bring Back Glam! Interview

To say DJ Ashba is busy would be a major understatement. SIXX AM just released a new album called Live is Beautiful and are now busying working on the follow-up to The Heroin Diaries soundtrack. DJ Ashba recently spoke with Bring Back Glam! about writing with SIXX AM and Motley Crue, his art and Crue Fest 2.

 Bring Back Glam!: Alan Kovac of 10th Street Entertainment recently said in Billboard there will be a Crue Fest this summer. Will SIXX AM be a part of that tour?

DJ Ashba: I don’t know. What is comes down to is that we are working on the next SIXX AM record right now. If we get the album done in time – if everything works out time wise – you know, we would love to. We had the best time. It all depends...[we’re] not going to rush and we’re in no hurry to make a bad album. We want to take as much time as we can to make it another really good SIXX AM record.

BBG! How long have you been working on the new record?

DJ: We wrote a little during Crue Fest. You know, getting ideas. Now we’ve taken some of those ideas and we’ve been writing around the clock ever since. Things are moving pretty quickly, really good. We’re really proud of what we have. You know, we just came out with a live album [Live is Beautiful].

BBG!: What made the band want to release a live disc?

DJ: The fans are so amazing we're in a very fortunate position of being on it [Crue Fest] and all the Crue fans really accepted SIXX AM which we are very lucky they welcomed us in and the crowd responses were really amazing that we just thought we'd take a night and record [the [performance]. The cool thing about it is that people will record a live album – then fix them. We did not do that. It is what it is live and I think that's what makes it a good album. It’s wild and the mistakes are there. It’s just – we’re all running around the stage the whole time. I just got my copy and it’s really neat to hear the crowd response – singing Life is Beautiful back to us – it’s just a very cool thing. [The techs] came and just mic'ed everything down. We had a good time and after the show we mixed it down. You need to listen because some of the songs are a little different live.

BBG!: Will the new SIXX AM record feature a live drummer or programming?

DJ: SIXX AM’s never been about a band – it’s been about three songwriters, producers, that got together to write music. We recorded SIXX AM the way we do Motley – and of course Tommy came in and he just slammed. There’s something – no matter how good you are at programming – there is something about a live drummer that brings a special feel of the album which is really hard to recreate, no matter how good you are. So, I don’t know. We really haven’t gotten that far – we haven’t talked about it. We’re just programming everything like we usually do and if – at the last minute – we feel it would be cool to a have a live drummer, then we’ll bring one in.

BBG!: Sure. You used the same drummer each night during Crue Fest, yes?

DJ: Yes, we used Papa Roach’s drummer (Tony Palermo). When we play, we get different drummers. Each video features a different drummer. This gives us a chance to play with a lot of great drummers and - for us – it keeps the songs fresh and fun. You know, it’s [ SIXX AM] never been about a band. Just three friends getting together, writing, doing what we love to do. No rules, like “we have to make a hit song.” Nothing like that. In the beginning it was about getting together, having fun and bringing the Heroin Diaries to life.

BBG!: Is the writing equal between you and James and Nikki, or is it more you and James?

DJ: The thing about Nikki is that he has Motley. All three of us have many different things going. James is producing and writing around the clock for other bands and well as I am and I have a graphic design agency. We all have a lot of things. Now I am just getting into film scoring – we’re all three super busy, but SIXX AM is a labor of love. When we came together, we clicked musically. People search their whole lives for that chemistry. The first time we [SIXX AM] we’re in a room together, we wrote “Life is Beautiful.”

BBG!: Do you have that same sort of chemistry with Motley Crue?

DJ: Working with Motley is amazing. They are very much on top of their game – more than ever right now. You know, it’s very cool to work with them since Motley was the first concert I ever attended as a kid. Now I write and produce with them – and it’s just really cool for me. They are amazing friends and amazing musicians. It’s weird, but SIXX AM is like an extended family when we talk and play music.

BBG!: How did you get so involved in art?

DJ: When I was in school, the principal put me on the payroll. There were certain classes I was not good and I had no interest – like algebra – so he took me out. I was like the only one, but I got to do advanced art, which made me sort of like a teacher. I had to help the other students. I also painted the mascots on the gym floors, did all the prom backdrops. I designed the yearbooks. I would get out class and paint the weight rooms. I started at a really early age. Later I got into Photoshop and I got to work with a lot of really talented people doing websites for a lot of years. Doing logos and ads. One day I was like “you know, I should just incorporate my name and start a company.” All the people I’ve worked with – I knew I could hire them to help me. We put a big thing together – we went in and pitched [Virgin Entertainment] and we beat 110 agencies for the job. We were very lucky. I also hand picked every single person on the team. I really believe they are some of the best artists in the field. So, we do work for Virgin, Ovation [Guitars]  is another account and we do a lot of work for Royal Underground. We have quite a few clients. What’s cool is that we are in a position where we can pick and chose. My thing is at the end of the day it’s my name on the line, so I really have to believe that we can do something. I need to believe in the company and believe we can help them with branding or marketing. I have to be confident that what we’d do is excellent – I’m not in the business of doing a half-assed job for any client. Each client gets 100% of our effort.

 
BBG!: So, which do you like better: art or music?

DJ: You know, art is like the left side of my brain, music the right. I need art in my life to get a break from music . If I didn’t have art, I’d literally drive myself up the wall and vice versa. It’s a great break for me to sit down with a pencil and start drawing. I’ve always seen music working side by side.

BBG!: Do you think the next SIXX AM album will be a cohesive story like the Heroin Diaries or will be a more traditional album?

DJ: Well, we're talking about that now. Whatever we do, it will be out of the ordinary. It won't be another Heroin Diaries, but there’s a good chance it will be wrapped around some demented concept!

BBG!: Any chance of SIXX AM playing some one-off shows this winter?

DJ: There’s a possibility of that. To be honest, our only focus is writing the new album - the best album we can write. We set the bar fairly high without even realizing it, so we have our work cut out for us. I feel really confident that what we're doing right now will really blow what the Heroin Diaries off the map. It's going to be good. As for Crue Fest 2, Motley will pick great bands and everyone that comes out will have a really good time. It’s an amazing concert. Hopefully we’ll see everybody out there. The only thing I can say for sure at this point is that we’re working on the next record.

Photo credit: Nikki Sixx. No copyright assumed.

 

Sunday
Dec072008

ToonTrack Frustration

 

Today is my sixth wedding anniversary. I don't know what Hallmark says you are supposed to give for the sixth year - but Eric and I exchanged musical gifts.

I bought him a very nice guitar - and he gave me some software called ToonTrack EZ Drummer. It's like a drum machine on your computer where you make loops and keep time. The theory is that I could learn to play my bass faster with the drum machine. Plus, I'm a little obsessed with drum kits, but I digress.

Anyway, I get this ToonTrack software and Eric installs it - and now the darn thing doesn't work! The sales representative told us ToonTrack works as a stand alone program - no ProTools required. I get an eternal error message "failed to load audio driver." Yes, I have a PC. Yes, I'm running Vista.

I'm desperate for help because I want to play my drums - and also because the software is screwing up my computer in general and caused a meltdown with the program I bought to help me with interviews.

If I can get my computer working normal again, tomorrow you'll be enjoying an interview with DJ Ashba. Otherwise, I'm going to put my laptop in the middle of the road and back over it a few times with my car. Oh yeah, it's been that frustrating.