Some Videos of Guns n' Roses at Sturgis

Here's what is out there so far:
"Sweet Child O' Mine"
"Live and Let Die"
Here's what is out there so far:
"Sweet Child O' Mine"
"Live and Let Die"
Aces & Ales pub in Las Vegas (owned by Alice Cooper guitarist Keri Kelli, pictured) is hosting an online auction, with 100% of all proceeds going to the Ronnie James Dio "Stand Up & Shout" cancer fund.
There are many great, rock n' roll and beer related items from Alice Cooper and KISS to Dogfish Head and Sierra Nevada! PLEASE visit the link below to view the catalog and bid on items. The auction will run through Monday, August 16th at 6PM PST. This is such a great cause in the name of a great rock icon -- we hope you will participate!
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I have a confession: I love seeing bands in their original format. You know, watching the men and women perform live the songs I love. I also realize life happens and band members change. Life happens.
Here's the thing: it's become popular among metal fans to throw the term "scab" around like it's nothing. I never gave it much thought until over the weekend when some people - who I won't name because that's totally classless - started throwing jabs at a band I love. The band has one replacement member. And he's a sweet man and very talented. I'm sure in that situation one is the loneliest number and all that but whatever. If one member leaves that shouldn't end a band and the livelihood of the remaining members, should it?
Can you imagine staying at the same job for oh, I don't know, 20 or 30 years? My dad has been with his employer for nearly four decades. Yeah, you read that right. That's a rarity and his generation will likely be the last to claim such distinctions. People my age and younger change jobs a lot because we have to - otherwise we'll never make more money or get any varied experience. Now, think about the things about your job that annoy you. I'm very lucky to have finally found a job I really enjoy and where I fit. Getting there wasn't easy. Along the way I made some wonderful friends - some of my best friends - at those jobs that didn't work out. You know what? I also had some really lousy experiences and met some people that didn't gel with me very well. I bet you've been there and done that.
The thing about bands is that the idea of forming a musical act is all very romantic. Let's "go out and tackle the world! Be inventive. Change the face of music!"
Well, okay. Some bands get there. What's the Puff Daddy song? "Mo' Money, Mo' problems?" Imagine being stuck in a job where you don't fit - where you despise your coworkers - for a couple decades. Only you have to live with them 24/7 because the way you make your living is on tour.
"Who cares?" You say. "The musicians just need to shut up, get on stage and get a paycheck." Perhaps. Or perhaps that's inhumane and an unfair expectation.
So a member (or three) quits and the band carries on. Sometimes it seems a little silly when there's only one original member of a band still out touring under the brand name. It's not quite as inane when only one guy (or gal) has dropped out. The fact is, music is a very cyclical business. Musicians are creative folk, remember. They don't like to be boxed in and they go as the wind blows. One too many fights and you'll likely see an exit stage left.
Maybe it's time for us to accept it and move on. Maybe bands aren't meant to stay together unchanged forever. Now you're thinking "Sure, Allyson can say that but her favorite band is Aerosmith and they are all back together."
Well, perhaps. With Aerosmith these days, you never know. And remember, Aerosmith had plenty of lineup issues in the past and simply realized they were worth more money together than apart. So they grit their teeth, play together, have some public battles and move on. But, they are rare. They are one of those legendary "arena acts" and everyone knows Aerosmith. Even non-rock fans know the name Aerosmith just as they know the Rolling Stones and AC/DC. It's the smaller bands we love like, say, Britny Fox or Bang Tango or LA Guns that really suffer from the "scab X sucks!" syndrome. Complaining likely won't make the departed member return and it's pretty hurtful to the replacement guy, too. I mean, how would you feel if you went to work every day and your boss was constantly comparing you to your predecessor. It would suck right? Now think of that times about a million and you've got the plight of a replacement member in a name band. I'm going to be better about my show reviews regarding replacement members in the future.
So I've rambled my piece. Oh, and KISS have done okay with replacement guys, right? Just sayin.'
Ah, here we are: the top spot. The number one stop at our seven day journey of cutting fat of some of the most essential Glam records ever produced. So we talked about Motley Crue and RATT. Dished on Slaughter and even Aerosmith. So now what? What's left? Well, honestly a lot. But I thought it would be fun to pick a massively successful record for the top spot. Sure, it's a little controversial but that always get a discussion moving.
So...the album is Slippery When Wet and the dud track is "Wild in the Streets."
Slippery When Wet is one of the best selling albums of all time, let alone a big time player in the Glam arena. The singles from Slippery are iconic to the entire Glam 80s: "Livin' on a Prayer," "Wanted Dead or Alive" and "You Give Love a Bad Name" are some of my favorite songs ever. Of course, every song on an album can't be a "10." I mean, that rarely happens, right? There's usually a weak section of an album and I'd argue that's what happened on Slippery. Sure, most of the album's 10 tracks are good but the second half (or side-B for you old school vinyl lovers) is a little weaker than the A-side. It's unfortunate such a rocking album had to end with "Wild in the Streets" because I think the tune is just too weak for Slippery. Sure, it's slick (slippery even, ha!) and highly produced but it's also massively cheesy and the lyrics just don't match the rest of the record. Maybe it's just a little too much of a rehash for me because all the song's themes had already been covered on Slippery to that point and the guitar solo ain't great either.
So there you go. I'm sure you'll crucify me for this choice but it had to be done. Bon Jovi is a great, great band but they make mistakes too and "Wild in the Streets" is one of them I'm afraid.
Slippery When Wet track listing:
Let It Rock
You Give Love A Bad Name
Livin' On A Prayer
Social Disease
Wanted Dead Or Alive
Raise Your Hands
Without Love
I'd Die For You
Never Say Goodbye
Wild In The Streets
Agree? Disagree? Thoughts?
It's time to cut some more fat. I struggled with this one because there were many possibilities when it comes to RATT. The band is one of my favorites - I've seen them live a dozen or so times! Still, each RATT record usually has some filler and that meant I had to choose the tightest record and go from there.
So what album did I choose to cut from? Ratt & Roll 8191 of course.
As a greatest hits album, all the fat should be gone. But alas, it's not. What would I cut?
"Heads I Win, Tails You Lose."
I actually listen to 8191 a lot but I always blow by "Heads I Win, Tails You Lose." The song is from Detonator, an album I really enjoy. I just think "Heads I Win, Tails You Lose" is too contrived, what with Desmond Child writing the song and Jon Bon Jovi singing on it. To my recollection it wasn't even a single, but I could be mistaken on that bit of trivia.
Let's not misconstrue that last paragraph. I actually think Desmond Child helped RATT a lot and the ballad "Givin' Yourself Away" is very good. In fact, I think that song could work for a lot of artists in many genres. But man, "Heads I Win, Tails You Lose" does nothing for me. I like Stephen Pearcy's raspy voice but on this song it grates on my nerves. Now that RATT is on a new label (Loud & Proud) and has released the awesome new Infestation I wonder what future greatest hits packages will look like?
Ratt & Roll 8191 track listing:
Tell the World
You Think You're Tough
Round and Round
Wanted Man
Back for More
Lack of Communication
Lay It Down
You're in Love
Slip of the Lip
Dance
Body Talk
Way Cool Jr.
I Want a Woman
Lovin' You's a Dirty Job
Shame Shame Shame
Givin' Yourself Away
One Step Away
Heads I Win, Tails You Lose
Nobody Rides for Free
Agree? Disagree? Thoughts?
We're getting to the heart of the discussion now when it comes to cutting the fat off essential Glam records. Aerosmith is my favorite band but that doesn't mean I view and critique all their albums through rose colored glasses. Absolutely not. In fact, I'm the first person to say when a new Aerosmith album or track doesn't live up to the band's legacy. Whew. So, over the past couple of days, we've cut the fat from Motley Crue, Slaughter, Def Leppard and LA Guns. Now Aerosmith is on the block.
Get A Grip came out in 1993 and may just be the most important album of my lifetime. No, it's not my favorite album of all time - that's Aerosmith Rocks - but Get A Grip introduced me to the band, thanks in large part to the famous Alicia Silverstone video trilogy that was on MTV every 12 seconds between 1993 and 1994. Think about it: Get A Grip has "Cryin'" and "Livin' on the Edge." Imagine my young teenage surprise when I discovered Aerosmith's awesome back catalog all because of their modern "pop metal" hits.
I'm about to reveal a big secret: I've always thought "Crazy" to be a dud of a single. In fact, I think it ruins Get A Grip and I'd argue it was only a successful single because of the video featuring Alicia Silverstone and Liv Tyler. The video is hot - the song - not so much. I don't know if I can even adequately express why I don't like "Crazy." It has to be the too-slow pace for the lyrics and Tyler's voice on the tune. Oh, and the lyrics do kind of suck. I always hate when this song comes up in a live show - although not as much as "Don't Wanna Miss a Thing." That's another entire post.
Get A Grip track listing:
Intro
Eat The Rich
Get A Grip
Fever
Livin' On The Edge
Flesh
Walk On Down
Shut Up And Dance
Cryin'
Gotta Love It
Crazy
Line Up
Amazing
Boogie Man
Agree? Disagree? Thoughts?
The hits keep coming, friends. We're counting down seven records that are a little too heavy for their own good. Yeah, we're ditching the dud tracks and keeping 'em lean and mean.
Everyone knows I'm a big LA Guns fan. These days, I tend to side with Tracii Guns' version of the band but once upon a Glam time, both Tracii and Phil Lewis were actually in the same band (can you imagine that?!) and made some awesome tunes. One of the most awesomest of awesome Glam records is Cocked & Loaded. The album features my favorite LA Guns track "Malaria" and also "The Ballad Of Jayne" and "Never Enough." Now, I wouldn't be talking about Cocked & Loaded if I didn't think there was one less-than-perfect track.
What has to go? "Showdown (Riot On Sunset)." I just think the tune is a little less inspired than the rest and we all know Cocked & Loaded is LA Guns' masterpiece.
Cocked & Loaded track listing:
Letting Go
Slap In The Face
Rip And Tear
Sleazy Come Easy Go
Never Enough
Malaria
The Ballad Of Jayne
Magdalaine
Give A Little
I'm Addicted
17 Crash
Showdown (Riot On Sunset)
Wheels Of Fire
I Wanna Be Your Man
Agree? Disagree? Thoughts?
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