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Entries by Allyson B. Crawford (6973)

Wednesday
Nov212007

Book Review: Slash

Just over three weeks ago, Saul Hudson (along with rock journalist Anthony Bozza) released Slash via Harper Collins. While not as good as Motley Crue’s The Dirt or even The Heroin Diaries by Nikki Sixx, Slash presents a fairly clear picture of life during the rise – and fall – of Guns n’ Roses.

Highlights of the book include learning about Slash’s unique upbringing. The guitarist didn’t begin acting out until his parents divorced. After stability was ripped from Slash, he chose a path of destructive behavior that has followed him for most of his life.

Some of the stories of debauchery are funny, but some clearly edited. While The Dirt just lets it all hang out, it’s pretty clear Slash was reserving some details and protecting identities. Many names are changed, or simply omitted. Major stories are scaled back into small paragraphs, which I found more than a little surprising.

The early workings of Guns n’ Roses are widely documented but still make for an interesting read. The planets aligned when Slash met the rest of the men that would go on to record Appetite for Destruction – and he admits as much. It is refreshing to know that such an iconic musician realizes his role in cultural history – and the rarity of his experiences.

While it’s great to read about the beginnings of the band, it seems like not enough time is spent on the actual Appetite recording sessions. Of course, that was the easy time during GnR history. I love reading about mega bands who scrapped in their beginnings. The stories of poverty and living (and rehearsing) in a storage unit are worth the price of the book alone. I never knew Axl Rose and Slash met keyboardist Dizzy Reed at the same storage unit complex. This gives me a whole new respect for Hookers n’ Blow (well, the band at least).

As the book moves forward, Slash (and therefore Bozza) do their best to convey the immense dysfunction within Guns n’ Roses. I’m not sure Slash really tells the entire story. For the most part, our favorite guitarist defends Axl while tearing him down. One page will explain how Axl is ruining the band, the next says something to the effect of “but I’m sure Axl has his own very valid rundown of events.” Is this music double-speak? Probably. While I’m sure Slash honestly wants to paint events as clearly as he can remember, it’s always easy to see that he is trying desperately not to enrage Axl. Even years after leaving Guns n’ Roses, Slash mentions on several occasions that others “can’t talk shit about Axl.” He feels he’s earned that right, but only because he worked with the moody frontman for so long.

Then there’s the women and drugs. As with all good rock n’ roll stories, there are tales of parties and debauchery on every page. Not of that lifestyle, it’s hard for me to completely comprehend but it’s an understatement to say that Slash has lived a crazy existence.

There are completely asinine moments in the book as well. Toward the end of the biography is a picture of Slash with his wife Perla and their two sons on a Disney cruise. I mean, seriously. Can you imagine having breakfast with the characters and realize that Slash is sipping coffee with Micky? Give me a break.

Of course, there is life after Guns n’ Roses, and that means Slash spends time talking about his Snakepit records and current work with Velvet Revolver. While both are interesting, Slash surprisingly spends little time discussing the shift in the record business by the mid-nineties. He makes mention of the changes, but doesn’t go into great detail, which I find a little disappointing.

Sadly, this first edition includes a lot of grammatical errors. I’m sure they’ll be cleaned up by the time to book goes to paperback. Still, Fred Coury of Cinderella suddenly becomes “Curry,” Zakk Wylde becomes “Wyld” and there are all sorts of misplaced words and punctuation. The good news is that the book contains several nice color performance shots of Slash throughout his life and career.

If you’re a big fan of 80s rock music – and therefore cultural history – then you definitely need to read Slash. It’s worth the hardback price, and I bet you’ll be able to find a copy on sale this holiday season.

Tuesday
Nov202007

Krokus, Vixen...at Rocklahoma

Ok, so apparently ten seconds after I called the Rock Fever offices yesterday, a radio DJ (for KMOD) announced that Krokus would be playing Rocklahoma 2008. An erstwhile tipster also pointed out that Vixen is listed on Pollstar as playing the Rocklahoma Festival in 2008. Looks like these are your first two bands, kids.

Tuesday
Nov202007

Aerosmith Live: Woodstock '94

woodstock94.jpgI've just been wiped out recently. I mean, downright tired. Instead of working on other projects, I ended up watching Aerosmith's Woodstock '94 performance.

Man, I remember watching that gigantic music festival from my little bedroom T.V. Woodstock '94 was held in August to commemorate the 25th anniversary of Woodstock. I remember everything about Aerosmith's fantastic performance that night: it was pouring down rain, but that didn't stop my boys from blowing the younger bands out of the water (yes, pun intended). I was so mad at my parents...I wanted to go to Woodstock '94 bad. I think I literally twitched as I watched the thousands of other people in attendance have an awesome time. I was about 15 during the festival, so I obviously couldn't go alone.

Man, it seemed like everyone knew about Woodstock '94. That was in the days where MTV still played music...and still promoted at least some bands. Pepsi was a gigantic sponsor...I'm sure they ponied up the cash to have the festival broadcast on MTV.

All I know is that I spent the entire festival in my bedroom, staring at my television, and damning my youth. Maybe that's why I'm rabid about concerts now? I don't worry about the money anymore, I'll be damned if I miss a life-changing experience over something as petty as cash (hey, another pun!).

Anyway, Aerosmith performed a lengthy set during Woodstock '94. Here's the song list:

Eat the Rich
Toys in the Attic
Fever
Joe Perry Solo
Draw the Line/F.I.N.E. extended jam
Rag Doll
Cryin'
Crazy
Monkey On My Back
Mama Kin
Shut Up and Dance
Stop Messin' Around
Walk On Down
Janie's Got A Gun
Love In An Elevator
Dude (Looks Like a Lady)
Sweet Emotion
Come Together
'Livin On the Edge
Walk This Way

Of course, I was familiar with every Aerosmith song. I couldn't help wondering then (as I do now) if the young people in the crowd recognize the older songs and their immense importance on American rock music and cultural landscape. After all, 98% of glam bands I write about here are largely influenced by Aerosmith -- just as new bands are today. They ain't America's greatest rock n' roll band for nothing.

 

 

 

Monday
Nov192007

Rocklahoma Predictions

rocklahomalogo.jpgThere are 234 days until Rocklahoma 2008. While ticket prices have already gone up, and the front VIP section is nearly sold-out...without a single band announcement! I just called Rock Fever, and the receptionist told me those bands will be announced the beginning of next month. My assumption is that the announcement will be much like last year: a few trickles here and there, right up until July 2008.

That's fine with me: the announcements give me something to look forward to and to write about.

At any rate, here are my official predications for Rocklahoma 2008. We'll see how many I get correct.

Whitesnake (headliner)
Iron Maiden (headliner)
Def Leppard (headliner)
Poison
Gypsy Pistoleros
Steelheart
Britny Fox
Pretty Boy Floyd (a reunited, original line-up)
Jet Boy
Vains of Jenna
Sweet FA
Firehouse
Fastway
Saigon Kick
Sebastian Bach

Some of these are givens (Steelheart, Gypsy Pistoleros), others are out of left field (Saigon Kick, Sweet FA, Iron Maiden).

Would you pay $325 for this line-up? Remember, more than 30 bands perform over the four day festival. While organizers hope to bring all new bands for 2008, I will guarantee a handful of repeats right here, right now. In my own world, I'd love to see Aerosmith and Motley Crue (with Tommy Lee on drums), but I'd say both these very expensive bands are just wishful thinking.

So, what are your Rocklahoma 2008 predictions?

Remember, you can check out the website and buy tickets at www.rockfeverfest.com

 

Saturday
Nov172007

PBF: More Rumors

prettyboyfloyd_logo.jpgAs usual, there's something brewing in Pretty Boy Floyd land. Is a reunion with the original members (you know, the Leather Boyz with Electric Toyz) line-up in the works?

Sources tell me...yes. More suspect? Original PBF guitarist Kristy Majors owns Artists Worldwide. Pretty Boy Floyd has suddenly appeared on their roster (www.artists-worldwide.com).

I interviewed Kristy very recently (please see "Sex, Drugs and Rock n' Roll") and he denied a reunion possibility. I guess we'll see.

 

Saturday
Nov172007

Heavy Metal Moms

Way back before Fox News Channel, Geraldo Rivera had his own daytime talk show known as Geraldo. If you're over the age of 25, you probably get the Al Capone vault joke. If you don't get the reference, just look it up on the Internet. You'll have a laugh, I'm sure.

Anyway, Geraldo loves crazy, over the top stories. He also loves to take sensational positions during those interviews, making him a great fit for Fox News.

During the 11 year run of Geraldo, the star "journalist" had guests from all walks of life on his Emmy winning show. One day he hosted a program called "Heavy Metal Moms."

That broadcast featured Steve West of Danger Danger and Kristy "Krash" Majors of (then) Pretty Boy Floyd. Of course, their moms were also in tow. Who else was on the show?  A slew of others including members of Jethro Tull and Joey Ramone and his mom Charlotte Lesher.

I bought a broadcast of the show, but my copy only includes about eight minutes of the hour long program. I'll continue to hunt for the entire episode, still, those eight minutes are priceless.

During those precious few minutes, Steve West talks about being on the road and his mother swoons over the joy of having a son in a glam band. She says she supports her son - and the rest of Danger Danger. This is in stark contrast for Kristy Majors. His mother is embarrassed and says she wishes her son were a doctor, lawyer or even accountant.

At any rate, the clips are a downright hoot -- the dichotomy of watching the audience of women wearing suits with giant shoulder pads juxtaposed against panel guests wearing leather (and yes, lace) is an interesting take on societal mores. Even though Metal became the predominant choice of music in the 1980s, artists still did their best to look different from everyday people. After all, it is Metal's way to flip a middle finger at convention.

Here's Kristy "Krash" Majors talking about groupies. Watch as his mother panics.

 


Friday
Nov162007

Candy Harlots

candyharlots.jpgJust this week, my good friend Christian turned me on to a great Australian glam band.

Candy Harlots were formed in 1987 in Sydney. Apparently, they had quite a reputation...then again, it seems every 80s glam band lived a crazy lifestyle.

It took a few years...but they landed a major deal with Virgin, and released Five Wicked Ways in 1992. Of course, this deal came after a slew of line-up changes, including the replacement of founding vocalist Mark Easton.


That song spawned a few singles, and the band even shot several videos. At any rate, Candy Harlots have a great sound. Remember, this band was far removed from the Sunset Strip and Los Angeles debauchery -- still, the sound in authentic, the influences easy to distinguish.

Here's "Sister's Crazy" from Candy Harlots, off their debut Five Wicked Ways: