Def Leppard's 'Let's Go' Is Just Awesome
The upcoming self-titled album by Def Leppard will hit stores October 30. Yesterday, the band premiered "Let's Go" on Rolling Stone via SoundCloud. Someone was kind enough to share the song on YouTube and I was able to embed below.
The song is so good... I freaking love the classic guitar riff! I was nervous when I hit play on the track for the first time... and then I ended up listening to the song about six times in a row. (Please note the sound is richer on the Rolling Stone link versus the YouTube).
The thing I love about Def Leppard is that you basically know exactly what you're going to get from them. They produce brilliant melodic rock and they aren't ashamed of it either, thank you very much. I immediately pre-ordered the album on Amazon.
Reader Comments (16)
There's a LOT to like from the Def Leppard camp, they've had excellent rockers (Rock Brigade & Let It Go), Great sing-along anthems ("Photograph" & "Pour Some Sugar"). & some of the most beautiful ballads, ever ( X's "Let Me Be The One" & Sparkle Lounge's criminally ignored "Love") but this is just.... "meh"... I'm seeing 'em in L.A. next weekend, so we'll see if they pull out this new tune.
I will say one more thing about the Leps... I will absolutely buy their next & every record for one reason. When Rick Allen lost his arm, they didn't abandon him, or just instantly go looking for a new drummer. They stuck by him & let him prove to himself that he could still play drums. They understand the often ignored concept that a band is a brotherhood. They did the right thing, & in my own small way, I will reward them for it.
That being said, I will now go back to listening to the best record of 2014... "The Further Adventures of Joe Elliot's Down N' Outz"... :)
I show my age but I still want to hear High n Dry era with just a smattering of their pop hooks
As for the song itself, I found it enjoyable. I could see myself out on my patio, drinking a cold one while listening to it.
This is such a parody of themselves it puts me to sleep.
At least back then, though it all still sounded a little samey (as the Brits like to say), they still managed to break new ground within those limitations. Here, they're their own worst enemies, recycling stuff they've already recycled, extracting one ginormous collective global yawn.
As far as Ace's fave band, the success the Down n' Outz (London Quireboys sans Spike) are having with Elliot is well deserved as you couldn't meet (AND party with) a nicer bunch of guys, save for Spike, who suffers from a serious Napolean complex, especially around the ladies.
Have a great day.
I don't begrudge Campbell his long standing place in Lep (and cont. to hope he beats the crap out of his cancer). But we all know where those riffs came from . . . "The Riffmaster," in Elliot's words, Steve Clark.
I will hand it to them: they paid full tribute to all stages of the band (well, not so much Willis) in the lovely photos on the screens behind them. And when the announcement of the new album was made, the crowd noise dropped, as if anticipating a "new" song like "Let's Go." Not missing a beat, they got back to the hits. They aren't going to pull an Iron Maiden and do a set-list of only new stuff.
Speaking of which, I could do without hearing "Let's Get the Rock Outta' Here" live ever again. I'd much prefer if they dug a bit more into the goody bag. "Gods of War" would be a solid replacement, as would more songs off their first three albums. But those are quibbles.
The place was packed from Tesla (who I did not watch), through Styx, and onto Lep. Surprisingly packed to my mind. It was as large a crowd as was at Shoreline a few nights previous when the Foo Fighters played with Gary Clark Jr. (think Buddy Guy mixed with the White Stripes). Another solid show. Just not my cup of musical mescal. And probably the best attended of the previous three Bone Bashes.
A night of nostalgia in the Bay Area. Nice way to cap off the month of Sept.
"Rock of Ages, still rollin'!..."
And the more I think about it (esp. in the context of some of their other contemporaries), I am happy to put up with the dead spots and vocals misses if the alternative is the band trying to sound like they did back in the day by playing the music in the background to cover up how they sound today. I guess it is a metal "smell test" of sorts. And one that a lot of bands should heed when making calculations on when to hang it up and when to hit the road.