Tuesday
Jan172017
Blowing A Lion To Smithereens
Tuesday, January 17, 2017 at 12:01AM
Today's post is from our friend HIM.
Let me explain. Well, first I will let you listen to Mike Tramp’s “Coming Home:"
As many of you know, the second White Lion album, 1987’s Pride, is sacrosanct to me. There is nary a dud on that album (even the self-help sweetness of “Don’t Give Up”). After that things get a bit spottier. But you always knew it was White Lion, except when it wasn’t. Tramp’s late-1990/early-2000’s Bratta-less reboot was a thing to scowl at, a thing that even Tramp now dismisses as a rather dumb idea.
His solo work has never really grabbed me. Sure, some of his acoustic versions of the White Lion classics are interesting. But that is a huge step down for me. I want something that moves me. And much of it seems to be middling and mid-tempo. That isn’t a slam on Tramp. If he wants to put the lion in the rear-view, on his own terms now, that is his prerogative.
Which is why this song surprised me. This is mellow Tramp that harkens back to White Lion while engaging some very clear Smithereens-ish sounds. Which is fine by me. I always liked DiNizio’s band, even when they had to slum for gigs at corporate parties (sidebar: the original members are reuniting this month for a series of shows).
I know that most of us who like White Lion would like to see the duo of Tramp and Bratta back for another attack (no offense to LoMenzo or D’Angelo). I also know that Bratta teased that idea . . . a decade ago (even after threatening to sue Tramp for his revamped aforementioned version of the band). But I think it is safe to say it likely won’t happen. Which is a shame.
“Coming Home” isn’t the homecoming we might want. But I, for one, will take it. You?
Reader Comments (14)
I saw mike a couple of years ago acoustic (his son was his roadie & merch guy. Cute). He seems to have found his pace and vibe that may suit his conscience in today's music world. HIM is on target. Nothing remarkable (yet). Mike seems to want to be a vagabond Bruce Springsteen with out having the acclaim or songwriting reputation. If that gets him out of bed in the morning...more power to him!
I'll still go to his shows. He's good. But I'll also still yearn (odds are slim I know, negative peeps) for him & Bratta to one day bring that magic back to us. I'll 'Wait'.
He only plays acoustic guitar after injuring his wrist.
Like the reference to the Smithereens also - noted that they are touring again this year.
Never met the guy. But I am glad to hear that people who have say his in-person persona squares with what I suspected. Bratta is that rare case. A really heir to the throne. Then personal circumstances (his father's illness, his injury) and temperament seems to have intervened. And a degree of tension, which you can sense now and again in Tramp's interviews and in Bratta's from back in '07. Which is life sometimes, I guess.
As Funny Gary and Steverox note, Bratta was an extraordinary guitarist, so much so, IMHO, he overshadowed Tramp in White Lion. I say this because, as I have previously mentioned before here, I witnessed it with my own two eyes in 1989, point blank, at The Cat Club in NYC.
And as Tony reminds us, Bratta supposedly suffers from a wrist injury, now unable to experience and share his otherworldly talents.
p.s. Bob and HIM, I actually saw The Smithereens open for The Ramones back in 1985 at Hammerjack's in Baltimore!