'Nothin' But A Good Time: The Uncensored Story of '80s Hair Metal' Part II

Part two of Nothin’ But A Good Time: The Uncensored Story of '80s Hair Metal picks up right where segment one left off. Called “The Second Wave,” the middle years of the Sunset Strip hey day are covered, including a look at workhorses Poison and the rise of Guns n’ Roses.

[RELATED: Part One recap and review]

Bret Michaels is actually a featured interview in this segment, making him one of the biggest names from the era to appear in the film. There’s also interviews from Don Dokken and Phil Collen of Def Leppard. 

Bret talks about writing “Every Rose Has Its Thorn,” the famous green paper that Poison got a great deal on to flyer the town and explained how Poison would always go back to the Strip at 4 a.m. and cover up ads from other bands.

Warrant’s Steven Sweet talks about power ballads and says he likes more than one on an album. He also admits the video for “Cherry Pie” was (is) misogynistic (no kidding). There’s plenty of “How did we let them [male artists] get away with this?” questioning going on and a recognition that it was nearly impossible for female rockers to get record deals at the time. Vixen is featured in this segment, explaining some of that frustration.

Filmmaker Penelope Spheeris and Riki Rachtman also add commentary, with Rachtman especially talking about the crazy club scene and his own Cathouse (shared with Taime Downe of Faster Pussycat fame). I’ve always wondered where Rachtman and Downe got the money to open Cathouse considering they were roomies at the time and thus splitting living costs. Anyway, there’s an animation of the famous fight between Axl Rose and David Bowie that went down at the Cathouse… with Axl chasing Bowie out the door and down the road.

Surprisingly, this middle section of the documentary features a nice segment on Hanoi Rocks, an interview with singer Michael Monroe and recap of Vince Neil’s car accident that killed Hanoi drummer Razzle. Hanoi Rocks did have an outsized impact on the Glam bands we love – but it seems they are forgotten in a lot of 80s retrospectives. It was good to see them included here.

Another fun 45 minutes. Stream it on Paramount+.

Comments

[Jeff]

I'm enjoying it so far. Nothing groundbreaking that I didn't already know, but it's a nice piece of nostalgia. I could do without Corey Taylor's input. That guy just grates on my nerves. They really could have just cut his parts out. He offers no substance whatsoever.

[Him]

Jeff, is he in it A LOT, or just a few times? I, like you, find his shtick annoying.

I really can't understand what draws people to him, his music, or his POV. Thing is, I like some artists that others find cloying. So, who knows? But I have turned off or fast forwarded shows where he was a talking head. Just . . . can't . . . take . . . it.

[Jeff]

His is in it a LOT! They use him as the go-to for color commentary. He is so annoying.

[Him]

Thanks for letting me know, Jeff. Appreciated.

I guess I will have to do my usual: hold my remote the entire time, with my sausage-finger on FF. Again, I truly can't handle that fellow's braggadocio.