Pink Floyd Announce More Details About New Album
NEW YORK (AP) — Pink Floyd's new album will arrive on Nov. 10.
A Monday news release gives fresh details about The Endless River, the British rock 'n' roll group's first new material in 20 years.
The 18-song double album features band members David Gilmour, Nick Mason and Richard Wright, who died in 2008. Roger Waters left the group in 1985 and isn't involved.
The album was assembled from 20 hours of material recorded during the band's 1993 sessions for "The Division Bell."
Gilmour says in the release that the band "added new parts, rerecorded others and generally harnessed studio technology to make a 21st-century Pink Floyd album."
"The Endless River" is comprised mostly of instrumental music with just one song, "Louder Than Words," that includes new lyrics, written by Gilmour's wife, Polly Samson.
Reader Comments (10)
But all this is coming very close on the heels of a new edition of _The Division Bell_ as well. For completists (I love the band, but wouldn't categorize myself as one), this is perhaps an understandable coda.
I suppose I would rather see Gilmour or Mason (or even Gilmour and Mason) out touring under a different moniker, not one so freighted with baggage. But that, realistically, wouldn't sell. For me, _Momentary Lapse of Reason_ was the last time there seemed to be some sort of spark to the music, before it lapsed into a travelogue sound (literally, at one point . . . what the hell was _La Carrera Panamericana_???).
I thought they had, as they reunited in the classic line-up for LIVE 8 in 2005 but I guess that panned out to be nothing more than a one-off.
Then, hopes of any kind of a prolonged reunion stint were sadly dashed with the untimely demise of Richard Wright (RIP).
"Dark Side of The Moon" is easily ONE of THE Greatest Classic Rock Albums of ALL Time and "Money", ONE of THE Greatest Classic Rock Songs of ALL Time.
My other favorite Floyd albums -- "Wish You Were Here", "Animals" and "Meddle".
The rest of the stuff after "Animals", whether created as a group or solo, including "The Wall", are total sh*te, IMHO.
I find it hard to believe that _The Wall_ is total merde. As good as some of their earlier stuff? Debatable. Better than anything that came after? Less debatable.
But "total merde"? That is a bit hyperbolic. And that is just the album. The movie also stands up--indulgent and trippy though it is--as one of the classic rock n' roll films. And their stage show influenced countless bands that came after them in terms of what was possible in presenting either a single song or a series of songs visually.
Perhaps I am too generous. But I think Gilmour and Co. did an incredible job carrying on without Waters on _AMLOR_ (even if it reflects its origins as a solo work) and partially helped erase from memory the ego-driven slime that was _The Final Cut_ (another solo album basically).
Sure, I occasionally revisit _A Saucerful of Secrets_ and other such oldies. But I think the band--then and now--is lucky that Barrett counted Gilmour as a friend and influenced his arrival in the band as he skidded into oblivion. If not for Gilmour's counter-balance to Waters, I sincerely doubt the band would have lasted as long as they did or gained as much notice (which isn't to diminish the central role that Waters and Wright played in crafting music).